It had been raining since the top of the page…

“The only qualities essential for real success in journalism are
rat-like cunning, a plausible manner, and a little literary ability.”
Nicholas Tomalin, The Sunday Times Magazine, Oct. 26, 1969

It’s been a little better than a year now since I said yes, I’d like to try local reporting.

It’s not gotten any easier. And yet, I love it. I love the hardness of the writing. I love to print out a “final draft” and take it outside to review with a colored pen and a cup of coffee. I love that moment of pleasantness when I hit send. I love seeing my byline; I particularly enjoy seeing it under photos I have taken! I love all the pockets in my reporter’s vest. I love reading the Chicago Manual of Style’s Q & A (the You Could Look It Up section makes me giggle)!

I thought I’d learned a little when I wrote this: Learning to Report: My First Six Months on the Local Beat. Now I know how little I know.

“The central dilemma in journalism is that you don’t know what you don’t know.”
~ Bob Woodward

It took me ‘til last week (long drive, loud music) to realize that reporting is like writing a grievance. Way back, we used to teach union stewards to “start with the date.” What happened? When did it happen? Just the facts, we used to tell them. Like reporting.

So many of my ledes (is it lede or lead? Lede is so wonderfully pretentious!) sound like Snoopy in a Peanuts cartoon: “It had been raining since the top of the page.”


Somehow I snuck in the word “preternaturally” to start this story about Laundry Love (which is an awesome program!):

The evening of Wednesday, Nov. 8 was crisp outside for Southern California, preternaturally dark due to the recent time change, but inside the Tujunga Speed Wash, it was nothing but warm.

And like the setting to start New Citizens Call USA Home at American Heroes Air Show:

During Saturday’s sunny morning, draped by the patriotic backdrop of the American Heroes Air Show, framed by the mountains surrounding Hansen Dam, cheered by family, friends, and officials, 60 children under the age of 18 took the Oath of Allegiance to become the newest citizens of the U.S.A.

I got my first scoop Garbage Truck Fire and Explosion and learned an important lesson: Ask ALL of the questions! Here, I failed to ask if there were other vehicles involved in the fire, a significant omission!

Kids, dogs, and helicopters are easier to photograph than fire. Or (for me) anything indoors or at night!


Really good editing turned this potentially mundane senior driver training story into an informative, helpful piece: Training Emphasizes ‘Holding on to the Steering Wheel (AARP considers you a senior at 50 and their driver training is well worthwhile, I learned!)

It’s fun to be new at something.

There are many helpful resources available; I’ve included an incomplete list below.

“From journalism I learned to write under pressure, to work with
deadlines, to have limited space and time, to conduct an interview, to
find information, to research, and above all, to use language as
efficiently as possible and to remember always that there is a reader
out there.”
~ Isabel Allende

Al-Jazeera’s award-winning documentary show Fault Lines’ senior producer and investigative journalist Laila Al-Arian shares in Top journalists reveal the best reporting advice they have received:

The best advice I’ve gotten about reporting is, ‘Do the reporting, and the story will write itself.’ I took his advice to mean that if you thoroughly and deeply report a story, do all the research and interviews you need to do to make it good, writing it will be easy because your material will be so strong that the story will write itself. 

I took this advice writing this piece about the sexual harassment scandal in Sacramento: Friedman Wields Gavel on Sexual Harassment Subcommittee. I read all of the stories published, watched nearly six hours of hearing (is someone running against Ken Cooley? Please?), and went in to the interview with the Assemblymember with a list of questions. It made a difficult story easier to write. It did not, however, write itself.

Margaret Sullivan’s (Washington Post media columnist; previously New York Times public editor) advice in the same article:

I’m really not sure where this came from because it’s essentially a Reporting 101 truism but still really helpful: Report against your own biases. That is, include the reporting that has a chance of proving you wrong, not just confirming what you already think or think that you know. At the very least, this will allow you to know in advance what the objections to a story might be. It tends to make reporting more fair—and more bulletproof.

I tried to do this writing Celebrating Ally Week at CVHS although I’m certain my fondness for the story, the school, all the people involved, and the chorus oozes through. I guess I hoped to tell the story through the words of the participants. Same with this one about Google’s Augmented Reality school roll-out: Rosemont Students Get a Glimpse of Expeditions (Here, I tried to state the facts without squealing!) (I love these kids!) (“It’s like Pokémon GO, only for learning!”) Similarly, I’m not at all sure I was able to hide my perspective (or my age-old fondness for Mona Field) in this inspiring local story about a vibrant community facing its dark past to find a better way, together: Sign Remembers Past at CV Park!


 “Journalism without a moral position is impossible. Every journalist is a moralist. It’s absolutely unavoidable. A journalist is someone who looks at the world and the way it works, someone who takes a close look at things every day and reports what she sees, someone who
represents the world, the event, for others. She cannot do her work
without judging what she sees.”
Marguerite Duras

Last week I realized that I’m a (beautiful) hour-long drive in just about any direction away from a swing district so I headed out to Corona for a protest at Congressman Ken Calvert’s district office. I intended to participate as a regular activist but when I showed up, it just seemed natural to grab my camera and handy reporter notebook. I followed the delegation inside and discomfited the young staffer by acting like a real reporter. It was so much fun and just a little “Gonzo”! Local Faith & Labor Leaders Join Calvert Constituents at Congressman’s Corona Office to Demand No Vote on Trump Tax Scam



Constituents and religious leaders confront staffer in Corona office of Congressman Ken Calvert


“Gonzo journalism is a style of reporting based on William Faulkner’s
idea that the best fiction is far more true than any kind of
journalism — and the best journalists have always known this. True
gonzo reporting needs the talents of a master journalist, the eye of
an artist/photographer and the heavy balls of an actor. Because the
writer must be a participant in the scene, while he’s writing it — or
at least taping it, or even sketching it. Or all three. Probably the
closest analogy to the ideal would be a film director/producer who
writes his own scripts, does his own camera work and somehow manages
to film himself in action, as the protagonist or at least a main
~ Hunter S. Thompson

I’ve learned that it’s important to check every detail, to recheck the spelling of every name, to talk to every person. You never know! Using the subject line “quick reporter question” can get a response about pretty much anything from pretty much anyone.

I’ve also learned that Catahoula hounds are trained for search and rescue “because of their good work ethic and good noses.”



Spy Boy, Catahoula hound, happy search & rescue enthusiast


I think I’ve realized the right photographic ethical balance: Get the shot. Be polite.


I appreciate and use this excellent advice Better by the Dozen: 12 quick tips for being a smarter reporter from the Society of Professional Journalists by Greg Hardesty, formerly of the Orange County Register, now at Behind the Badge OC :

Be a human being first, and a reporter second. This especially applies when covering tragedies. Show empathy. Keep your notebook and pen out of sight until after you look a person in the eye and introduce yourself, and chat briefly. Make a connection, then get to work.

Listen, listen, listen. You will get your best material by shutting up and not interjecting often when a source is talking. You can interact, of course, but keep it to a minimum.

Clearly explain the angle of your story before you interview someone, including when the story will run (if you know). People feel more comfortable when you spell things out to them however briefly.

Always get a phone number/email to confirm facts. This is crucial. Never get out of the habit of fact-checking (from a printout of your story; never from the computer screen). Also, you never know when you will need an extra quote or more information from your source. So you better know how to reach them.

On especially tight deadlines, use e-mail. When sources aren’t being exactly helpful, urge them to collect their thoughts and send you them in an e-mail that you later can use for quotes. This works wonders,

Never be afraid to ask someone to repeat what they have said. Your source wants you to get things right. So get things right. Don’t feel shy about re-confirming even the most basic stuff (i.e., name spelling).

Reconfirm facts via research. For example, go on the Internet to confirm the full, official name of an organization to which a source belongs. People often speak in shorthand. It’s your job as a journalist to confirm all factual stuff in your story. Get things right.

Urge your source to let you know what they thought of your story. Doing so makes a source feel as if he or she is part of a team (in a sense) and sometimes leads to great follow-up story ideas. Don’t act like some snobbish reporter on high who is immune from criticism (and praise, too, for that matter).

Think visually when writing. Visualize a story like a movie in your head. Try to place the reader at a scene. You can still do this, to a degree, when writing straight news — even briefs. Don’t get lazy just because your story may be short,.

When writing, pay attention to the rhythm of the words. Read your story out loud if you must, but good writing should be inviting to read — it should be effortless and pleasing, like listening to a favorite song. Good stories should have zest, bounce and energy.

Remember: If you are bored with your story, your reader will be doubly bored. Attack each story by challenging yourself: How can I make this the most interesting story possible? How can I grab the throat of my reader?

Always cultivate story ideas. Urge sources to call you if they ever think they may have a good story for you — even if it has nothing to do with the story you are working on when you talk to them. And when going about your daily lives outside of work, do the same if the subject of what you do comes up. Use the eyes and ears of the community to your advantage.





Glendale firefighter prepares for dramatic safety exhibit: Ensuring Holiday Home Safety


Final note: I’m still trying to figure out this little blog. As for my reporting, I get to write for a delightful, independent, high quality, very local little newspaper only because of your help and guidance. I continue to need and want your feedback, criticism, suggestion, comments.

I do miss writing with others!

Should I learn to “shoot” video? Recommendations for a good photography class? Do I need a bigger camera? Can anyone explain confectioners’ sugar to me?

In case you’re at all interested, here are my Crescenta Valley Weekly pieces. My favorite is still the first: Holiday Happiness Found on Oak Circle Drive

Thank you!


“Journalism can never be silent: that is its greatest virtue and its
greatest fault. It must speak, and speak immediately, while the echoes
of wonder, the claims of triumph and the signs of horror are still in
the air.”
~ Henry Anatole Grunwald


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